Dabbe The Possession 2013: Kesesuaian Tema Filem Dengan Kreativiti Sastera Islam

Dabbe The Possession 2013: The Compatibility of Film Themes with The Creativity of Islamic Literature

Abstract

The producing of Islamic horror films has become a trend among film directors in Islamic countries. Although originally horror films were criticized for only focusing on paranormal entities and jump scare, but along with the era of horror films that incorporated Islamic elements and things related to it has the potential to be wasilah dakwah, in accordance with Islamic literary criteria. Even so, it is not an accurate benchmark as long as there are some vanities mixed together with the element of haq even though it is present from the art of the film director’s creativity. Therefore, this paper aims to examine the accuracy of the art of Islamic literary creativity which is the basic proposal of Islamic literary criticism by Muhammad Qutb, against the three themes of the film Dabbe: The Possession (2013). This study is a qualitative study that uses descriptive methods of analysis, which is to collect data sourced from Al-Quran and Al-Hadith from Sahih Bukhari and others, if necessary, as well as analyze the themes in the film and categorize them using codes. The research data is discussed in detail to identify Islamic literary criticism and theme analysis with support from Al-Quran and Al-Hadith as prescribed. The study concludes that the three themes chosen to do not coincide with the art of Islamic literary creativity as suggested by Muhammad Qutb, as it has the potential to convey untrue beliefs to Muslim audiences.

Abstrak

Pembikinan filem seram yang berunsurkan Islam telah pun menjadi trend dalam kalangan pengarah filem di negara-negara Islam. Walaupun pada asalnya filem seram dikecam kerana hanya memfokuskan kepada entiti paranormal dan jump scare, namun seiring dengan zaman filem seram yang dimasukkan elemen Islam dan perkara yang berkaitan dengannya berpotensi menjadi wasilah dakwah, sesuai dengan kriteria sastera Islam. Meskipun begitu, ia bukanlah penanda aras yang tepat selagimana wujudnya beberapa perkara batil yang dicampurkan bersama elemen haq walaupun ia hadir daripada seni kreativiti pengarah filem. Justeru itu, makalah ini bertujuan mengkaji ketepatan seni kreativiti sastera Islam yang merupakan cadangan dasar kritikan sastera Islam oleh Muhammad Qutb, terhadap tiga tema filem Dabbe: The Possession (2013). Kajian ini ialah kajian kualitatif yang menggunakan metod analisis deskriptif, iaitu mengumpul data-data yang bersumberkan Al-Quran dan Al-Hadith daripada Shahih Bukhari dan selainnya jika perlu, serta menganalisis tema dalam filem tersebut dan mengkategorikannya dengan menggunakan kod. Data kajian dibincangkan secara terperinci bagi mengenalpasti kritikan sastera Islam dan analisis tema dengan mendatangkan sokongan daripada Al-Quran dan Al-Hadtih sebagaimana ditetapkan. Kajian merumuskan bahawa ketiga-tiga tema yang dipilih tidak bertepatan dengan seni kreativiti sastera Islam seperti yang dicadangkan Muhammad Qutb, kerana berpotensi menyampaikan fahaman yang tidak benar kepada para penonton Muslim khususnya.